Thursday, February 4, 2010

No Singing Allowed: Flamenco and Photography


Photograph by Xavier Miserachs

This exhibit opens today at the Aperture Gallery and Amster Yard Gallery at Instituto Cervantes ! I can't wait to see it! I think it will be the baby's first exhibit!


New York, New York

No Singing Allowed: Flamenco and Photography

Opening reception:
Thursday, February 4, 2010, 6:00–8:00 pm

Exhibition on view:
Friday, February 5, 2010 –Thursday, April 1, 2010

FREE

Aperture Foundation
547 West 27 Street, 4th floor
New York, New York
(212) 505-5555

Aperture Foundation, a non-profit arts institution dedicated to promoting photography in all its forms, and Instituto Cervantes, a non-profit organization that contributes to the cultural advancement of Spanish-speaking countries, have partnered to celebrate and interpret the art of flamenco through photography in two concurrent exhibitions at Aperture Gallery and Instituto Cervantes. This exhibition in two parts features such artists as Manuel Álvarez Bravo, Brassaï, Robert Capa, Henri Cartier-Bresson, Francesc Catalá Roca, Inge Morath, Martin Parr, Man Ray, and Miguel Rio Branco.

Whether as social phenomenon or musical expression, flamenco has been of enduring interest and inspiration to photographers from the mid-nineteenth century to the present. While some photographers from outside of Spain went in search of it or encountered it by chance, to others flamenco and its practitioners are an essential, if not innate, aspect of their cultural heritage and their photographic work. This artistic form—also considered a way of life or being—has generated fascination in cultured urban circles, remaining one of the most secret, mysterious, and seductive manifestations of twentieth-century European popular art. Marginalized and ostracized, the world of flamenco took root in an economically backward region of southern Europe, culturally peripheral and marked by a history of authoritarianism and local despotisms. This exhibition of more than one hundred and fifty years of images, frequently taken by foreigners rather than Spaniards, is an extensive survey of how photographers of different eras have approached the universe of flamenco, whether documenting the dance itself, gestures that recall it, or the culture that is developed around it.

This exhibition is coproduced by Centro Andaluz de Arte Contemporáneo and Sociedad Estatal de Conmemoraciones Culturales, with the collaboration of Centro Andaluz de Flamenco, and is made possible thanks to the generous support of Antonio Banderas Fragrances by PUIG. The exhibition debuted at the Centro Andaluz de Arte Contemporáneo in Sevilla in April 2009 and is curated by José Lebrero Stals.